In my early 20s I spent eight semesters in Italy spread out over six years. During that period I embarked on a spiritual journey from an academic encounter with Catholic art to being received into the Catholic Church and receiving Confirmation and First Communion in the Cathedral of Orvieto. On this Feast of Corpus Domini, 2022, I share this short essay from while I was preparing for Confirmation in 2001 and a more recent video in which I share the importance of the Eucharist in my journey to the Catholic Church.
Since I recently began painting figures on metal leaf , I thought the “Red, White and Blue” exhibit would be a good moment to continue the challenge. In the drawings I leave the backgrond completely blank, allowing the lines to carry all of the expressive power of the figure. In a similar way, in the gold silhouettes I am using the gold for the negative space.
The figure in the mirror is attentive, ready, waiting, poised in the act of creating. Her world is not limited to the objects before her – the mirror, the window, the branch. Within them, through them, she sees more: she sees deeper into a physical world than would be considered possible at first glance
The medieval city of Civita di Bagnoregio is a place of mysterious layers, buildings destroyed by earthquakes and time, where you can see the evolution of the centuries of construction and destruction. In the process of layering new paintings on top of old I found metaphors for both the place itself and memories of it.
The exteriors of local churches shape the landscape of daily life-about-town, but their interiors have helped shape spiritual lives for centuries. In Europe, cavernous sacred spaces were built for throngs of religious activity, but now hold only shadows of those presences. The shapes of archways reaching towards heaven, the rhythm of dark and light passing through complex spaces inspire a sense of quiet awe and shadowy mystery.
I am very excited about this new landscape painting from this beautiful summer day. The Cemetery is right on the Charles River and very beautiful. It is a very peaceful place to work — and attracts quite a bit of traffic as walkers from nearby offices take their lunch break. I hope to return to complete more paintings there as the year progresses.