Since I recently began painting figures on metal leaf , I thought the “Red, White and Blue” exhibit would be a good moment to continue the challenge. In the drawings I leave the backgrond completely blank, allowing the lines to carry all of the expressive power of the figure. In a similar way, in the gold silhouettes I am using the gold for the negative space.
One of the miracles of creative collaboration is the momentum it creates, continuing to create new work beyond what was originally envisioned. After the model session, once my drawing was photographed and titled and shared, Olivia wrote this poem in response to the drawing.
The group of yoga illustrations can be viewed at: https://www.instagram.com/explore/tags/33yogiillustrations/. A beautiful collection of artworks inspired by Katy Sainz’s Instagram feed, it really becomes an art exhibit, just like a group show in a gallery exhibit it is organized around a theme.
In every model, old or young, large or small, male or female, I see one God’s amazing creations. In the process of drawing I try to capture just one small portion of the magnificence, delicacy, and beauty of what He made.
The compositions of frescoes by Masaccio, Piero della Francesca, Luca Signorelli (to name only a few), are so complicated they can be overwhelming for a viewer — and even more overwhelming for a student of drawing. I have found that working on a team and looking for simple moments of overlap and intersection can allow an entry point into serious investigation of some of these masterpieces.