Her figures, far from the classical ideal of beauty, retain the brokenness of humanity, a brokenness that is both spiritual and physical. At the same time, Paine preserves their dignity and value, arguing that man’s design is not wholly evil. In each of these figures the signs of life and death are evident, like permanent and deep marks that cannot be wiped away.
Intruding Upon the Timeless Includes a Variety of Printmaking Artists
By Michelle PainePress and Publications, Art and Faith, Printmaking, Figures, Exhibits and EventsNew Edition of Intruding Upon the Timeless The updated edition of Gregory Wolfe’s collections of essays Intruding Upon the Timeless: Meditations on Art, Faith and Mystery includes new essays on…
February 27, 2018
Michelle Arnold Paine spent three years living and working in Italy a study abroad program, where she steeped herself in the Renaissance masters, the rhythms of the liturgy, and the intimacy and beauty of daily Italian life. After her return from Italy she studied at the SMFA Boston and went on to earn an MFA in Painting from University of New Hampshire. She paints in her home studio outside Toledo, Ohio. LEARN MORE
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